267 Church Street, Richmond 3121

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James Gleeson

Untitled (Man in mathematical landscape), 1976

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brush and ink, wash, black crayon, frottage, relief print, ink transfer, paper collage on white laid paper

30.30 x 47.50

signed ’76 Gleeson l.r.; GOF l.r. in pencil verso

Provenance:

Gleeson O'Keefe Foundation/Art Gallery of New South Wales

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Further works by the Artist

The Betrothal

James Gleeson

2003

oil on linen, 76.00 x 89.00

Price: $20,000

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The Field of Mars

James Gleeson

2003

oil on linen, 76.00 x 89.00

Price: $20,000

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After the Rain

James Gleeson

1996

oil on canvas, 132.00 x 177.00

Price: $40,000

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Study for After the Rain

James Gleeson

1996

charcoal and collage on paper, 37.50 x 50.50

Price: $2,750

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Untitled - Visual Poem

James Gleeson

1943 - 1944

oil on cardboard, 12.00 x 17.00

SOLD

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Moving Strategies

James Gleeson

1989

oil on linen, 190.00 x 256.00

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Untitled (Landscape with bound fists)

James Gleeson

1977

spray and black ink, wash, pen and black ink, paper collage on ivory laid paper, 51.10 x 69.50

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Untitled (Landscape with male nude and dark figure)

James Gleeson

1976

brush and black ink, wash, relief print, ink transfer, pencil, paper collage on ivory wove paper, 42.10 x 29.10

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Untitled (Figures and insects)

James Gleeson

1976

brush and black ink, wash, black crayon, frottage, paper collage on white laid paper, 47.50 x 30.30

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Untitled (The couple)

James Gleeson

1976

spray and black ink, brush and black ink, wash, paper collage on thick cream Arches watercolour paper, 76.00 x 57.30

SOLD

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Untitled (Landscape with figure attached to a trunk)

James Gleeson

1976

brush and black ink, wash, ink transfer, relief print, paper collage on ivory wove paper, 42.10 x 29.00

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Untitled (Landscape with four tattooed figures)

James Gleeson

1976

crayon, black ink, frottage, paper collage on ivory wove paper, 42.20 x 29.20

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Untitled (Nude on rock)

James Gleeson

1976

black ink and brush, wash, watercolour, relief print, paper collage on cream wove paper, 42.10 x 29.10

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Untitled (Tattooed man thinking)

James Gleeson

1976

brush and black ink, wash, black crayon, frottage, relief print, paper collage on white laid paper, 47.60 x 30.30

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Untitled (Tattooed male couple)

James Gleeson

1976

ink and wash, frottage, paper collage on white laid paper, 30.20 x 47.50

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Untitled (Landscape with sun blazing)

James Gleeson

1976

spray and black ink, collograph (?), paper collage on cream wove paper, 48.20 x 46.80

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Untitled (Two mutating figures)

James Gleeson

1976

spray and black ink, collogrpah (?), paper collage on cream wove paper, 48.00 x 47.20

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Untitled (Landscape with microscope)

James Gleeson

1976

spray and black ink, wash, collograph (?), paper collage on cream wove paper, 48.20 x 48.60

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Achilles bears the body of Patroclus to the camp of the Myrmidons

James Gleeson

1976

spray and black ink, collograph(?), paper collage on cream wove paper, 48.00 x 48.70

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Untitled (Landscape with eye)

James Gleeson

1976

spray and black ink, wash, collograph (?), paper collage on white laid paper, 56.30 x 44.10

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Untitled (landscape with eyeball)

James Gleeson

1976

spray and black ink, black crayon, frottage, ink transfer, paper collage on cream laid paper, 62.10 x 47.60

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Untitled (Abstract figure with male sexes)

James Gleeson

c. 1973

black pastel on a cream Ingres laid page from Canson & Montgolfier sketchbook, 30.40 x 45.70

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Untitled (Reclining couple of male nudes)

James Gleeson

c. 1950 - 1970

pencil, sticky tape on hardboard, 40.50 x 30.40

SOLD

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Untitled (Standing male nude, side view)

James Gleeson

c. 1957

compressed charcoal on cream wove paper, 28.80 x 27.00

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Untitled (Young male nude)

James Gleeson

c. 1940 - 1950

pencil, paper collage, sticky tape on hardboard, 26.80 x 41.10

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Since its establishment in 1984, the Charles Nodrum Gallery’s exhibition program embraces a diversity of media and styles - from painting, sculpture & works on paper to graphics and photography; from figurative, geometric, gestural, surrealist & social comment to installation & conceptually based work.