Eva Breuer, 2005; Private Collection, Queensland, since then
Click image to zoom
James Gleeson
Study for After the Rain, 1996
Price: $2,750
charcoal and collage on paper
37.50 x 50.50
signed and dated 'Gleeson / 3.6.96' c.r.
Provenance:
Exhibited:
Gleeson: Paintings and Works on Paper 1930s - 1990s, Eva Breuer Art Dealer, Sydney, May, 2003;
Abstraction 22, Charles Nodrum Gallery, 12 November - 3 December, 2022, no. 34
Literature & references:
Eva Breuer, Gleeson: Paintings and Works on Paper 1930s - 1990s, exhibition catalogue, Eva Breuer Art Dealer, 2003, illus p 38
Further works by the Artist
Untitled (Landscape with bound fists)
James Gleeson
1977
spray and black ink, wash, pen and black ink, paper collage on ivory laid paper, 51.10 x 69.50
Untitled (Landscape with male nude and dark figure)
James Gleeson
1976
brush and black ink, wash, relief print, ink transfer, pencil, paper collage on ivory wove paper, 42.10 x 29.10
Untitled (Figures and insects)
James Gleeson
1976
brush and black ink, wash, black crayon, frottage, paper collage on white laid paper, 47.50 x 30.30
Untitled (The couple)
James Gleeson
1976
spray and black ink, brush and black ink, wash, paper collage on thick cream Arches watercolour paper, 76.00 x 57.30
SOLD
Untitled (Landscape with figure attached to a trunk)
James Gleeson
1976
brush and black ink, wash, ink transfer, relief print, paper collage on ivory wove paper, 42.10 x 29.00
Untitled (Landscape with four tattooed figures)
James Gleeson
1976
crayon, black ink, frottage, paper collage on ivory wove paper, 42.20 x 29.20
Untitled (Nude on rock)
James Gleeson
1976
black ink and brush, wash, watercolour, relief print, paper collage on cream wove paper, 42.10 x 29.10
Untitled (Man in mathematical landscape)
James Gleeson
1976
brush and ink, wash, black crayon, frottage, relief print, ink transfer, paper collage on white laid paper, 30.30 x 47.50
Untitled (Tattooed man thinking)
James Gleeson
1976
brush and black ink, wash, black crayon, frottage, relief print, paper collage on white laid paper, 47.60 x 30.30
Untitled (Tattooed male couple)
James Gleeson
1976
ink and wash, frottage, paper collage on white laid paper, 30.20 x 47.50
Untitled (Landscape with sun blazing)
James Gleeson
1976
spray and black ink, collograph (?), paper collage on cream wove paper, 48.20 x 46.80
Untitled (Two mutating figures)
James Gleeson
1976
spray and black ink, collogrpah (?), paper collage on cream wove paper, 48.00 x 47.20
Untitled (Landscape with microscope)
James Gleeson
1976
spray and black ink, wash, collograph (?), paper collage on cream wove paper, 48.20 x 48.60
Achilles bears the body of Patroclus to the camp of the Myrmidons
James Gleeson
1976
spray and black ink, collograph(?), paper collage on cream wove paper, 48.00 x 48.70
Untitled (Landscape with eye)
James Gleeson
1976
spray and black ink, wash, collograph (?), paper collage on white laid paper, 56.30 x 44.10
Untitled (landscape with eyeball)
James Gleeson
1976
spray and black ink, black crayon, frottage, ink transfer, paper collage on cream laid paper, 62.10 x 47.60
Untitled (Abstract figure with male sexes)
James Gleeson
c. 1973
black pastel on a cream Ingres laid page from Canson & Montgolfier sketchbook, 30.40 x 45.70
Untitled (Reclining couple of male nudes)
James Gleeson
c. 1950 - 1970
pencil, sticky tape on hardboard, 40.50 x 30.40
SOLD
Untitled (Standing male nude, side view)
James Gleeson
c. 1957
compressed charcoal on cream wove paper, 28.80 x 27.00
Untitled (Young male nude)
James Gleeson
c. 1940 - 1950
pencil, paper collage, sticky tape on hardboard, 26.80 x 41.10
Since its establishment in 1984, the Charles Nodrum Gallery’s exhibition program embraces a diversity of media and styles - from painting, sculpture & works on paper to graphics and photography; from figurative, geometric, gestural, surrealist & social comment to installation & conceptually based work.