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Edwin Tanner

Fallen Hero, 1959

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oil on board

82.00 x 86.00

signed and dated 'Edwin Tanner 59' l.l.; title and numbers 10 and 39 inscribed on reverse

Provenance:

The Estate of Edwin Tanner

Note:

Tanner and his family moved from Tasmania to Melbourne in 1957 following the controversial Orr case. Most of 1958 was spent settling into the new home and setting up his engineering practice. This work, dated 1959, will therefore be amongst Tanner's first Melbourne paintings and can be seen as a transition between the power station and office interior paintings of the early 1950s (see The Engineers, 1954 in the AGNSW collection) and his 'Musical Pipes' series of the 1960s (see The Science Faculty, 1960, also in the AGNSW collection). The artist's collection of handmade timber recorders (a craft he appreciated possibly due to his training as a carpenter and joiner with BHP) may well have been the model for his musical pipes series. This work can be seen as a precursor to the larger and warmer toned but almost identically composed Operatic Aria, 1960 in the TarraWarra Museum of Art Collection (Anthony Fitzpatrick, Edwin Tanner: Mathematical Expressionist, Tarrawarra Museum of Art, 2018, exhibition catalogue, illus. p. 56)

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Further works by the Artist

(Untitled – Three hatted figures)

Edwin Tanner

c. 1960

etching on paper, 15.00 x 17.50

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(Untitled – Three figures with two sets of grids)

Edwin Tanner

c. 1960

etching on paper, 2nd proof, 20.50 x 30.00

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(Untitled - Two winking figures)

Edwin Tanner

c. 1960

etching on paper, 15.50 x 17.50

SOLD

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(Untitled - Eight Heads)

Edwin Tanner

c. 1960

etching on paper, 15 x 17.5 cm, 15.00 x 17.00

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(Untitled)

Edwin Tanner

c. 1960

etching on paper, 13 x 15 cm, 13.00 x 15.00

SOLD

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For Airmen

Edwin Tanner

1973

etching on paper, 50.50 x 51.00

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(Untitled - Emigration Series)

Edwin Tanner

c. 1973

acrylic on canvas, 127.00 x 137.00

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(Untitled - Emigration Series)

Edwin Tanner

c. 1973

acrylic on canvas, 126.50 x 136.50

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(Untitled - Japan Series)

Edwin Tanner

c. 1972

acrylic on canvas, 101.50 x 91.00

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(Untitled - Japan Series)

Edwin Tanner

1972

acrylic on canvas, 122.00 x 137.00

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(Untitled – linear composition)

Edwin Tanner

1973

acrylic on canvas, 137.50 x 121.50

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Aquarius (Horoscope Series)

Edwin Tanner

c. 1971

acrylic on canvas, 92.00 x 101.00

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Aries (Horoscope Series)

Edwin Tanner

1958 - 1971

acrylic on canvas, 92.00 x 102.00

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(Untitled – circular composition)

Edwin Tanner

1969

oil on canvas, 107.00 x 122.00

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Let all queues reverse / Coffin back to the Hearse

Edwin Tanner

1960 - 1969

oil, PVA and sand on board, 110.00 x 182.00

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Space Station Zebra

Edwin Tanner

1957

oil on canvas, 108.50 x 94.50

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(Untitled – Study with bicycle)

Edwin Tanner

c. 1957

oil on canvas, 65.50 x 102.00

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(Study for The Public Servant - office interior with milk bottles)

Edwin Tanner

c. 1953

oil on canvas, 66.00 x 61.00

SOLD

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The Engineer's Workshop (Preliminary Compositional Study)

Edwin Tanner

1957

pencil and ink on primed linen, 91.00 x 122.00

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My Horse, My Horse

Edwin Tanner

1965

pencil on grid paper, 39.00 x 29.00

SOLD

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Disconnected

Edwin Tanner

c. 1960

oil and timber on canvas on board, 117.50 x 133.50

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Red Line Bouncing at the Middle

Edwin Tanner

1967

pastel on paper, 65.00 x 50.00

SOLD

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Comings and goings and missings out

Edwin Tanner

1967

pastel on paper, 65.00 x 50.00

SOLD

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In Out and In Again

Edwin Tanner

1971

pastel on paper, 65.00 x 50.00

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The Flight of the Humble Bs

Edwin Tanner

1967

pastel on paper, 65.00 x 50.00

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Since its establishment in 1984, the Charles Nodrum Gallery’s exhibition program embraces a diversity of media and styles - from painting, sculpture & works on paper to graphics and photography; from figurative, geometric, gestural, surrealist & social comment to installation & conceptually based work.