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Fred Williams

Tumblers II, 1967

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Catalogue number: 2

oil on canvas

165.00 x 90.50

signed faintly u.r.

Provenance:

Estate of Fred Williams

Exhibited:

Possibly John Brack and Fred Williams, Arts Council Exhibition, Albert Hall, Canberra, 1967. There are two versions of this painting and it is not completely clear which one was shown;
Fred Williams: A Retrospective, Australian National Gallery (now National Gallery of Australia), Canberra, and touring, 31 October 1987 - 31 January 1988, no. 77;
Fred Williams: A Working Method, National Gallery of Victoria, 15 December 1995 - 12 January 1996, no 30d;
Fred Williams: Infinite Horizons, National Gallery of Australia and touring to NGV and AGSA, August 2011 - November 2012

Literature & references:

Patrick McCaughey, Fred Williams: 1932 - 1982, Bay Books, 1980, p 209, pl 113 (Murdoch Books ed, 2008):
James Mollison, A Singular Vision: The Art of Fred Williams, Australian National Gallery, 1989, illus p 116: Williams “believed this to be a painting that would speak to John Brack's work on its own ground and felt that it should therefore be exhibited." (Mollison, op cit, 1989, p 117)
Fred Williams: A Retrospective, exhibition catalogue, NGA, 1987, cat no 77;
James Mollison, Fred Williams: A Working Method, exhibition catalogue, NGV, 1995, cat no 30d;
Deborah Hart, Fred Williams: Infinite Horizons, exhibition catalogue, NGA, 2011, illus p 88;
Ronald Miller, John Brack, Lansdowne, 1961, p 90 and 109 see below

 

Note:

So strong was the pull of the Australian landscape on him that we tend to forget that Williams started as, predominantly, a painter of the human figure. His formative years in London show a focus on the theatre, street life, portraits and animals that produced a body of work that appears more vibrant than his 1950's English landscapes. So it’s interesting to see him abandoning briefly the landscapes that were absorbing most of his energy to re-engage with a subject that could “speak to John Brack”. The work in question was Adagio (The Skaters). This image, derived from a photo, of a male skater holding precariously aloft his female partner prefigures the subsequent series of ballroom dancers in both the tense precision of the bodies and the artificially fixed grins on the faces; it differs in the palette – the figures are bathed in acidic green light. On this score, it’s easy to see the ‘conversation’: if Brack’s image conveys that puzzled astonishment at the sight of the two protagonists seemingly held afloat in a bulb of light, Williams’s acrobats exude a palpable mix of muscular tension and breathless sweat.

View artwork in Exhibition

Exhibition Catalogue

Half caste woman

Russell Drysdale

1960

oil on canvas, 91.50 x 71.00

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Tumblers II

Fred Williams

1967

oil on canvas, 165.00 x 90.50

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Marioccia

John Peter Russell

1887

oil on panel, 27.00 x 21.50

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Mademoiselle Adrienne

Laureano Barrau

c. 1890

oil on canvas on board (A. Roche / rue des Batignolles), 33.00 x 24.00

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La Favorita

Tom Roberts

c. 1889

oil on cedar panel (cigar-box lid), 23.60 x 14.50

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Crucifixion

Roy de Maistre

1942

oil on board, 78.00 x 59.00

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The Icon of the Saviour (Image Not-Made-By-Hands)

Leonard Brown

2015

egg tempera, 24 kt. gold leaf & gesso on beech wood panel, 61.00 x 46.00

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Bathers, Morning

John Passmore

c. 1951 - 1953

oil on board, 51.00 x 56.00

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Female Torso

Godfrey Miller

c. 1950 - 1954

Bronze (base separate); ed 2 of 12, 17.00 x 7.00 x 7.00

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Professor Sir Mark Oliphant, KBE FRS

Arthur Murch

1963

oil on board, 92.00 x 76.00

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Hooded Woman

Herbert McClintock

1968

oil on board, 87.00 x 61.00

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(Waiter)

James Wigley

c. 1950

oil on canvas laid on board, 45.50 x 35.50

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Portrait of Bryan

Danila Vassilieff

1939

Portrait of Bryan, 40.50 x 35.50

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The Maths Teacher

Edwin Tanner

1952

oil on canvas, 101.00 x 64.00

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At the Opera

William Dobell

c. 1960

oil on board, 15.50 x 15.50

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Schoolgirl

Charles Blackman

1953

oil on paper on board, 61.00 x 73.50

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(Woman with flowers – Study for sculpture)

Sidney Nolan

c. 1980 - 1990

crayon on card, 122.00 x 152.00

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Matriarch

Anthony Underhill

1964

oil on canvas, 152.00 x 121.00

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Portrait of Mira, the Artist's daughter

Stacha Halpern

c. 1961 - 1962

oil on canvas, 73.00 x 54.00

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Two Figures

Clive Stephen

1954

pen and wash on paper, 25.50 x 35.50

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The Oracle of the Sphinx

Donald Laycock

1962

oil on canvas on board, 183.00 x 122.00

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Annette

Richard Larter

1963

enamel (with silver) on board, 182.00 x 121.00

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Oasis of Love

Stewart MacFarlane

1987 - 1988

oil on canvas, 183.00 x 183.00

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Spring Tumble II (Mug Lair)

Colin Lanceley

1962

oil and collage on board, 56.00 x 38.50

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Little Man

Mike Brown

c. 1965

acrylic on board, 91.50 x 61.00

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Since its establishment in 1984, the Charles Nodrum Gallery’s exhibition program embraces a diversity of media and styles - from painting, sculpture & works on paper to graphics and photography; from figurative, geometric, gestural, surrealist & social comment to installation & conceptually based work.