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— Biography of Michael Shannon

Michael Shannon was born near Kapunda, South Australia, in 1927 and after schooling in Adelaide, enrolled at the National Gallery School in Melbourne in 1945 (under William Dargie) – also studying part time with George Bell. Overseas travel took him to London, Paris (studies under Leger) and Florence.

Apart from a spell in Sydney (1960-62) Shannon lived and worked in Melbourne for the rest of his life, exhibiting regularly in Sydney and Melbourne as well as in Adelaide, Perth and Brisbane. His characteristic vision of the city – usually a roof top or birds eye view of streets, houses and factories earned him a wide following.

The late 1970s saw a change in focus. In 1980 he bought a small house near Heathcote (north of Melbourne). His interest in landscape had grown following a visit to David Chapman in Tasmania in 1974 (he exhibited small studies at Macquarie in 1979) and in the 1980s the landscape became the central concern of his work. It is a landscape he clearly fell in love with – from the rock faces of the quarry paintings through the more intimate glimpses of hill sides with trees and bush tracks, to the large canvasses of spacious hills stretching to distant horizons.

A long battle with Parkinson’s disease preceded the artist’s death in 1993.

Please also refer to Graeme Sturgeon monograph, Michael Shannon: Painting and the Poetry of Daily Life, Craftsman House, Roseville, 1990, for additional information. 

There is also a catalogue available from Shannon's exhibition in Ballarat, Michael Shannon: Australian Romantic Realist, Ballarat Art Gallery, Feb 29 - Apr 09, 2012.

Michael Shannon CV

Carl Andrew Michael Shannon Art and Australia vol. 12 no. 1 1975 pp. 342 353

Graeme Sturgeon Michael Shannon recent paintings Art and Australia vol. 24 no. 2 1986 pp. 239 243

Since its establishment in 1984, the Charles Nodrum Gallery’s exhibition program embraces a diversity of media and styles - from painting, sculpture & works on paper to graphics and photography; from figurative, geometric, gestural, surrealist & social comment to installation & conceptually based work.